On the other hand, she’s the best friend Oskar has, and the one person most suited to see him through life.

She’s lonely and plaintive, but she’s also unabashedly a monster and a murderer. (She doesn’t even sparkle in sunlight.) She usually smells like death, she starts looking decayed after a mere day without blood, she kills everyone she feeds on-and usually messily, first tearing open their throats to get at the blood-which invariably gets all over her, further limiting how glam she can look-then snapping their necks to ensure they don’t come back as vampires too. She’s a vampire, and not the glamorous, seductive variety that’s become popular again in recent decades. Then he gradually learns that she isn’t what she appears to be, on several levels-she isn’t a she (more on that later), she isn’t his age, and she isn’t human. Martin’s Press went with the title Let Me In, but that was subsequently changed back to the original title for the movie tie-in edition of the book.) That quote sums up the story of the protagonist, Oskar (first-time actor Kåre Hedebrant), a bullied, isolated kid who makes friends with Eli (Lina Leandersson), who appears to be a girl about his age who’s recently moved into his apartment complex. Let The Right One In takes its name from a Morrissey song quoted on the title page for the book’s final section: “Let the right one in / let the old dreams die / let the wrong ones go / They cannot do what you want them to do.” (For its first-edition English translation, St.

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